Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the Colonial Archive

The fifth issue of the Institute of East Asian Studies’ interactive e-journal “Cross-Currents: East Asian History and Culture Review” is available online. This is a special issue dedicated to the theme of “Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the Colonial Archive” (guest edited by Takashi Fujitani (U Toronto) and Nayoung Aimee Kwon (Duke University).

Cross-Currents: East Asian History and Culture Review

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Cross-Currents e-journal N° december 2012

Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the Colonial Archive

•  Introduction to “Transcolonial Film Coproductions in the Japanese Empire” / Takashi Fujitani, University of Toronto; Nayoung Aimee Kwon, Duke University
• Collaboration, Coproduction, and Code-Switching: Colonial Cinema and Postcolonial Archaeology / Nayoung Aimee Kwon, Duke University
• One Film, or Many?: The Multiple Texts of the Colonial Korean Film “Volunteer” / Jaekil Seo, Kookmin University
• A Propaganda Film Subverting Ethnic Hierarchy?: “Suicide Squad at the Watchtower” and Colonial Korea / Naoki Mizuno, Kyoto University
• The Colonial and Transnational Production of “Suicide Squad at the Watchtower” and “Love and the Vow” / Naoki Watanabe, Musashi University
• Between Ideology and Spectatorship: The “Ethnic Harmony” of the Manchuria Motion Picture Corporation, 1937-45 / Sookyeong Hong, Cornell University
• Negotiating Colonial Korean Cinema in the Japanese Empire: From the Silent Era to the Talkies, 1923-1939 / Chonghwa Chung, Korean Film Archive (KOFA)

Review Essays, Notes & Bibliographies

• Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest / Jie Li, Princeton University
• Governmentality in Late Colonial Korea? /Henry Em, Yonsei University

Vous pouvez trouver plus de ressources libres à la page “ressources libres“.