Us and them: Korean indie rock in a K-Pop world
Le 4 novembre 2016
dans le cadre de Cycle « ciné-sciences sociales Corée »
Stephen Epstein
(Victoria University of Wellington)
présente son documentaire
“Us and them: Korean indie rock in a K-Pop world”
de 14h00 à 16h00
dans le grand salon de la Maison de l’Asie,
22 avenue du président Wilson, 16e Paris.
Documentary synopsis
Us & Them: Korean Indie Rock in a K-Pop World (co-produced by Stephen Epstein & Timothy Thangerlini
The spread of South Korean popular music, or K-pop, has been a striking global phenomenon. In 2012 PSY’s viral sensation “Gangnam Style” became the most viewed video on YouTube ever, generating over a billion hits and scores of imitations. But Korean music is not only idol groups and viral videos. There is also a vibrant indie and punk scene that has been active for the past two decades.
A lot of the energy driving the scene has come in opposition to mainstream Korean music. Yet, just as K-pop is becoming more well-known internationally, bands from the Korean underground are now touring overseas and have become more professional in their own pursuit of global connections.
The documentary follows several of Korea’s most well-known indie bands as they embark on their first US tours in 2011. The spotlight lands in particular on Crying Nut, the endearing godfathers of Korean underground rock; the stylish RockTigers, Korea’s most successful rockabilly band; and Whatever That Means…, a melodic punk band led by a married couple–bass player Trash and her American guitarist husband. The documentary’s compelling portrait of the Korean indie scene offers sharp insights into a society that is in the midst of frequently dizzying change. The film is narrated by noted Korean-American musician Mike Park of Skankin’ Pickle and the B. Lee Band and the founder of DIY label Asian Man Records.
OpenEdition vous propose de citer ce billet de la manière suivante :
Eun-joo Carrè-Na (19 octobre 2016). Us and them: Korean indie rock in a K-Pop world. Carnets du Centre Corée. Consulté le 12 octobre 2024 à l’adresse https://doi.org/10.58079/qmvm
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